The porter is the comic relief of the play. After the intense evil found in the previous acts, the audience needs a time to laugh. The porter imagines he is Hell’s gatekeeper and makes “knock, knock” jokes and a play of words on the effects of alcohol. The jokes involve characters that must have been comical (avaricious farmers, plagiarist tailors, and an equivocator) for the audience’s of Shakespeare’s time. The effects of alcohol on a man must have been well-known to the audience, and they must have understood what happened when they drunk too much. To hear it in the words of the porter makes it funnier because it must have happened to him the night before. The second purpose is that he could the porter of a hell, Macbeth’s castle. By presenting himself as porter of Hell’s gate, Shakespeare could mean that Macbeth’s castle has been a hell in itself. The unnatural death of King Duncan and the evil that possesses the Macbeths has turned the apparently benign castle of Act 1 Scene 6 into a dark place.
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The porter is the comic relief of the play. After the intense evil found in the previous acts, the audience needs a time to laugh. The porter imagines he is Hell’s gatekeeper and makes “knock, knock” jokes and a play of words on the effects of alcohol. The jokes involve characters that must have been comical (avaricious farmers, plagiarist tailors, and an equivocator) for the audience’s of Shakespeare’s time. The effects of alcohol on a man must have been well-known to the audience, and they must have understood what happened when they drunk too much. To hear it in the words of the porter makes it funnier because it must have happened to him the night before.
The second purpose is that he could the porter of a hell, Macbeth’s castle. By presenting himself as porter of Hell’s gate, Shakespeare could mean that Macbeth’s castle has been a hell in itself. The unnatural death of King Duncan and the evil that possesses the Macbeths has turned the apparently benign castle of Act 1 Scene 6 into a dark place.
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